Latest F1 News ([syndicated profile] formula1_dot_com_feed) wrote2025-12-13 11:12 am

‘I have achieved my dream, that little boy's dream’ – Norris

As Lando Norris breaks into view on the edge of our camera set-up on the rooftop of one of Abu Dhabi's plush paddock buildings, the smile that has been etched on his face since the moment he stepped out of the car to finish third in the season finale, and clinch enough points to win his first world title, is still beaming bright.
Latest F1 News ([syndicated profile] formula1_dot_com_feed) wrote2025-12-13 11:12 am

Norris collects World Championship trophy at FIA Awards

Lando Norris has reflected on his “incredible” Drivers’ Championship win as he was presented with the trophy at the FIA Awards on Friday night in Uzbekistan, 11 years on after he appeared at the awards as karting world champion.
The Kissed Mouth ([syndicated profile] kissedmouth_feed) wrote2025-12-13 06:24 am

Saturday 13th December - A Quiet Half Hour

Posted by Kirsty Stonell Walker

I had big plans for today but as we are all quite exhausted, I'm staying home and relaxing rather than attempt any Christmas Market action. Gives me more time for this sort of thing...

'A Quiet Half-Hour' (1876) Lionel Charles Henley

 I almost didn't pick this one as it is very similar to our first outing with the lass and her parrot on a chain.  Yes, we have the decorative items and the tea set out, but there is something completely different going on her. The speech marks on the title are either her telling someone she is having a quiet half hour or she has been told to go and have a bit of a sit down, implying that the rest of her time is active and busy. I'm particularly enamoured with the golden screen behind her with the fans attached.


That is a gorgeous shimmering screen, so are we to assume that our young lady is worldly? Has she been off in Japan?


That vase is beautiful, as is the little statuette - is it the Venus de Milo? I can't tell as it doesn't have a million tourists stood in front of it and my feet don't hurt. Again, it hints that the lass putting her feet up is comfortable with the bric-a-brac of world travel and the resulting art collection. I also love how, despite being well dressed, she appears to be lolling about in much the same way as anyone would, which is very impressive as she is presumably wearing a corset. I think our girl is an adventurer, a collector and she has gone off to have a quiet half-hour, after which she will climb a mountain or something. Good for her.

The Studio (1887)

Okay, I rather like Mr Henley, especially after I found this painting. Lionel Charles Henley (1833-93) was active from the 1860s up until his death in 1893, scoring 10 Royal Academy exhibition paintings. He was better known as 'Bill' to his friends that included George du Maurier, whom he shared a house with for a time after meeting while studying in Dussledorf. In an obituary of him in the St James Budget it was written 'He was one of the most genial and loveable of men, and of him it could honestly be said he never made an enemy.'

The Tiff (1889)

I think it can be safely said that he like a narrative piece, especially if you see some of the titles for his Royal Academy works, such as Left in Charge (1864), A Vexed Question (1882) and A Labour of Love (1885).  It was noted in his obituary in the Hampstead and Highgate Express that towards the end of his life, Henley set his paintings in the 18th century, such as The Tiff and The Miniature, which have a tendency to look very much like the work of Ed Blair Leighton


The Miniature (1880s)

I love this picture of a Regency girl studying a portrait in a little frame, with fans on the shelf behind her.  Again, she is a wealthy, leisured young woman, but once more I like the relaxed nature of the image.

Before I sign off for the day, as you know I like a bit of a nose about in people's family tree and I really don't have time today to unpick all this, but Lionel died in 1893 leaving his wife Esther Lydia Newman (or Lydia Esther, as we will see) to live apparently another decade.  Esther was a little older than Lionel, born in 1827, which will become relevant, as they married in 1862, when she was 35 years old.  I'm not judging but that seemed a little old.  However, Lydia Esther Newman (of the same dates and area) had already been married to carpenter John Edward Speed in 1845, when she was 18, and that marriage was dissolved in 1861 when it was found she had run off with Henry Charles Key and was living in sin in Brompton. Lawks. The only reason I thought this had the vague possibility of being the same woman was that in the 1901 census, Lydia 'Henry' (corrected to Henley), a widow, is living with her son, the artist Edward Speed.  I wish I had time now to see if that was indeed the same woman, but I don't. However, Lydia/Esther, I will be back...

See you tomorrow.
Futility Closet ([syndicated profile] futilitycloset_feed) wrote2025-12-13 06:07 am

Cut Spelling

Posted by Greg Ross

Devised by English orthographer Christopher Upward, Cut Spelling seeks to reform English by eliminating and substituting letters to better match the spoken word:

Wen readrs first se Cut Spelng, as in this sentnce, they ofn hesitate slytly, but then quikly becom acustmd to th shortnd words and soon find text in Cut Spelng as esy to read as traditional orthografy, but it is th riter ho realy apreciates th advantajs of Cut Spelng, as many of th most trublsm uncertntis hav been elimnated.

Words in this scheme are 8 to 15 percent shorter than their standard spellings, and the rules are more systematic, arguably making them easier to learn for both newcomers and established readers. The plan was promoted for a time by the Simplified Spelling Society but, like so many other reform proposals, never achieved wide acceptance.

soc_puppet: A calendar page for January 2024 with emojis on various dates (Mood Theme in a Year)
Socchan ([personal profile] soc_puppet) wrote in [site community profile] dw_community_promo2025-12-12 07:26 pm

Mood Theme in a Year Returns!

[community profile] moodthemeinayear is coming back in 2026 with a new twist: Creating a custom mood theme can now earn you Dreamwidth points!

Mood Theme in a Year is a community that takes a laid-back approach to creating a custom mood theme. If you've always wanted to create your own mood theme (those little images that pop up when you select something from the drop-down "Mood" menu when posting), this is a great place to do it! Take your time creating graphics for anywhere between 15 and 132 moods, either following the community's suggested schedule or going at your own pace. (Though you need to make a minimum of 18 graphics to earn any paid time.)

The "official" schedule starts again from the beginning on January 1st, but you can jump in at any time during the year; feel free to challenge yourself as well with Bingo cards or the Mood Theme in a Month calendars! Learn more in the community pinned post or profile.

I hope to see you there!
Futility Closet ([syndicated profile] futilitycloset_feed) wrote2025-12-12 06:50 pm

Inspiration

Posted by Greg Ross

From the diary of Richard Burton, Oct. 16, 1968:

Stanley Donen told me a funny one about Osgood Perkins. It seems that Perkins was in a long-running melodrama in which he had to kill a character in the last act with a letter opener, stiletto type. One day the props man forgot to put the knife on the table and there was no other instrument around. So instead of throttling his murderee as anybody in his right senses would have done he kicked him smartly up his arse, the fellow fell down and feigned death, and Perkins raked the house with his eyes and said: ‘Fortunately the toe of my boot was poisoned.’

Strange Maps - Big Think ([syndicated profile] strange_maps_feed) wrote2025-12-12 06:24 pm

America’s post-apocalyptic maps reveal eerily familiar fault lines

Posted by Frank Jacobs

The United States has ended, but America continues. The question is: How? That’s the shortest possible summary for an entire genre of U.S.-centered, post-apocalyptic fiction. Call it “America after the Fall.”

It’s a fertile genre, with plenty of maps to illustrate its dismal point. That point is not the future, but the present. Like other strands of sci-fi, post-apocalyptic fiction projects onto tomorrow the anxieties of today. And these maps of a catastrophic future are present-day America’s long, hard look in the mirror.

A generous helping of moral turpitude

Depending on the prevailing panic, the nature of the Fall typically varies between half a dozen usual suspects: nuclear war, alien invasion, a deadly pandemic, technological breakdown, climate collapse, civil war — each often infused with a generous helping of moral turpitude to lubricate the disaster.

Map titled "Future Map of North America" showing projected changes to coastlines and landmasses, with detailed descriptions and labels across the United States, Canada, Mexico, and Central America.
On the Future Map of North America by Gordon-Michael Scallion, three major seismic upheavals inundate most of the American West, as well as parts of the East Coast and much of the Mississippi and St Lawrence valleys, which are now connected via the Great Lakes (now a Great Sea). Following the physical dismemberment of North America, new promised lands emerge: Antarctica, now warm and fertile; and the fabled lands of Atlantis and Lemuria, risen above the waves once more (on this map east and west of North America, respectively).(Credit: David Rumsey Map Collection)

This is a very American genre. Other countries may have similar worries about the future, but in the U.S., those are exacerbated by the peculiar nature of the American project — the idea of the country as a bold, unique and ongoing experiment in democratic self-governance, in perpetual danger of terminal failure.

The unease about the precariousness of that project is heightened by another American specialty: the tension between secular progress and religious millenarianism, the latter being the ardent hope that a divinely ordained cataclysm will wash away the pride, greed, and debauchery resulting from all that so-called progress.

That adds up to a lot of U.S.-focused post-apocalyptic thinking, writing, and mapping.

One of the earliest literary examples of the genre is The Scarlet Plague (1912) by Jack London. Set in 2073, the novel looks back at an epidemic that wiped out most of humanity 60 years earlier. Survivors in the San Francisco Bay area are devolving from civilization back to primitivism.

The old civilization recedes, and a new one emerges

London’s book inspired Earth Abides (1949) by George R. Stewart. Itself an influential work, it provides many of the genre’s recurring templates: the protagonist traveling across an emptied-out America, scavenging for food and encountering small groups of survivors. As the comforts and knowledge of the old civilization recede, a new one emerges, cruder and more superstitious perhaps — but also more attuned to nature and survival.

A detailed map charting character journeys from Stephen King's "The Stand," showing routes, cities, and key groupings across the United States with a legend and inset map.
Overview of the cross-country journeys undertaken in Steven King’s The Stand. Precarious road trips across an emptied-out America have been a mainstay of post-apocalyptic fiction ever since George R. Stewart’s Earth Abides (1949). (Credit: Christ Solnordal/Etsy)

Earth Abides informed several later plague-driven post-apocalyptic narratives, including Stephen King’s The Stand (1978), Emily St John Mandel’s Station Eleven (2014), and arguably also the whole Walking Dead universe, as well as The Last of Us, the video game about a zombie-holocaust-by-fungus that morphed into a 2023 TV series. Stewart’s own novel finally got the TV treatment in 2024.

Well-known examples of post-apocalypic Americas by causes other than epidemics include The Postman (a 1985 book turned into a movie in 1997), set in an America recovering from a nuclear exchange; Half Life 2 (the 2004 video game), after an alien takeover; One Second After (2009), in which an electro-magnetic pulse fries all electronics; J.G. Ballard’s The Drowned World (1962), set partly in a half-submerged New York City; and DMZ, a graphic novel series (2005 to 2012) about a second American civil war.

The common thread in post-apocalyptic fiction is balkanization. After the Fall, the States disunite into smaller, mutually hostile geopolitical fragments: confederacies, theocracies, city-states, tribal zones, no-man’s lands. Those fragments may be speculative, but they’re not entirely random. They reflect the anxieties that pulse beneath the surface of contemporary American life.

A color-coded map of the U.S. shows the country divided into multiple independent nations, each with its own flag and name, replacing current state and national borders.
A “classic” map of the Divided States of America, featuring many of the subdivisions recurring in numerous amateur maps of a post-apocalyptic future, including religious entities (e.g. Mormon republic centered on Utah), libertarian and leftist enclaves (Cascadia in the Pacific Northwest and California, respectively), ethnic states (African-American in the Southeast, Mexican-American in the Southwest), and nostalgic revenants (the Confederacy, an independent Texas). (Credit: ThaDrummer/DeviantArt)

Translated onto a map, the fragmentation of the U.S. provides a visual shock to the system. The map of the U.S. is one of the world’s most recognizable, most stable cartographic emblems. In its unified form, the map of the nation has the strength of a logo, symbolizing the Union itself.

Perhaps the most violent shock is the physical rather than the merely political destruction of the United States, as on Gordon-Michael Scallion’s Future Map of North America (1996).

A comet that would turn people blue

From 1979 onward, Scallion received “visions” of coming events. Some he got right, notably the 1984 Mexico City earthquake and the 1988 election of George Bush Sr. as president. But most he got wrong, including the arrival of a comet that would turn people blue and give them psychic powers. And seismic shifts in the earth’s polarity and tectonics that would drown much of the world, including large parts of North America.

While Scanlon focuses on the physical breakup of the United States, most other catastro-futurists — and they are legion — leave the coastline alone, and wreak havoc on the body politic instead.

A fairly typical example is this Map of North America, 2150, which grants future independence to some of the most prominent political, ethnic, religious, and regional entities in today’s North America (which in this case generously includes Canada, Mexico, and the Caribbean).

Texas and California survive as sovereign republics. California, to indicate its (current) left-leaning politics, is a Democratic Republic, reminiscent of the nomenclature of former Communist countries, and mirrored farther south in the Democratic Republics of Aztlán and Baja California.

Farther north, the Mormons have finally established their Holy Republic of Deseret, the liberals in Seattle and thereabouts are united in the Social Republic of Cascadia, and the Native Americans inland have proclaimed a Republic of Lakhota. Sitting uneasily in between is the Aryan Bastion, unsubtly boasting Hitlerburg and other all-too-Germanic-sounding place names.

Map of North America in 2150 showing new nations and borders, with national flags and brief descriptions of each country displayed around the map.
Some of the genre’s typical entities return on this map of North America in 2150. (Credit: Reddit/ImaginaryMaps)

The Great Lakes are the natural setting for a Confederation, and New England is now a Commonwealth, stopping short just north of New York City, which is part of the United States of Columbia — perhaps the most direct descendant of the formerly united states.

Further down are the Republic of New Afrika and the Confederate Republics of Dixie; the South never gets to turn the page on the Civil War. The League of the Mississippi is a re-Frenchified, re-enlarged Louisiana, and Libertalia is the Caribbean-oriented southern tip of Florida. In between all that: a vast, blank, and, one assumes, entirely lawless space.

The franchised nation of Monaco

These entities are the stalwart ingredients of many post-apocalyptic maps, operating under the assumption that, once the veil of unity is whisked away, historical and current divisions within the U.S. will assert themselves.

A black and white map shows a fictional division of Canada and the United States into new regions and countries in the year 2092, with altered borders and renamed areas.
A post-apocalyptic North America in 2092, as reimagined in 1992 by Generation X author Douglas Coupland: Dallas has been replaced by Dallas II, and New York City has been superseded by the Manhattan People’s Soviet. Did he foresee Zohran Mamdani’s mayoral win? (Credit: Alternate Timelines on X)

Even the literary imagination of Douglas Coupland couldn’t escape these tropes. On a map of Canada and the United States in 2092, he identifies Cascadia in the Pacific Northwest, the states of Dixie and Texlahoma, and a theocracy in Utah. Some interesting flourishes, though: a Shrine of Tupelo (in memory of Elvis, supposedly); the Disney National Memory Storage Facility (in Orlando); and the franchised nation of Monaco (somewhere in New England).

The Hunger Games provide a more radical departure from the post-apocalyptic tradition. Centuries into the future, a North America diminished by coastal flooding is home to the nation of Panem, which consists of 12 districts loosely centered on a Capitol located in the Rocky Mountains.

As annual atonement for a failed rebellion, in which the 13th district was destroyed, each district must send a boy and a girl to the Capitol for the so-called Hunger Games, a fight to the death with prizes for the last players standing and their district.

A color-coded map of Panem from The Hunger Games, showing 13 districts, the Capitol, surrounding wilds, and bodies of water.
A decadent Capitol City extracting an annual blood tribute from its impoverished subject districts: you could read the future state of Panem as a heavy-handed metaphor for today’s U.S. federal government. (Credit: Dan McCall/PanemPropaganda)

The books by Suzanne Collins don’t provide a map, nor are they explicit about the location and boundaries of the districts, so maps — mostly fan-made — vary. All, however, convey the impression of a continent reduced in vitality as well as size.

The favorite risk du jour for institutional implosion of the U.S. is political division. Some have already suggested matching America’s institutions to the widening cultural gap between Red and Blue tribes, and splitting up the country into two nations, one for each tribe.

Map of the United States showing a partition plan with counties colored as progressive (blue) or conservative (pink), and national capitals marked with stars.
Red and Blue America divided into two contiguous nations, thanks to a network of connecting nodes, reminiscent of the UN’s 1947 plan for the division of the Holy Land into Israel and Palestine. (Image: Dicken Schrader; see also Strange Maps #948)

This suggestion, from 2019, is based loosely on election maps, but also ensures the Red and Blue nations are contiguous, thanks to a network of nodes where it is possible to cross over from one part of each zone into another. Map nerds will recognize this peculiar setup from the original 1947 proposal by the UN to divide the Holy Land between Arabs and Jews. What could go wrong?

Texas and California, lumped together in the Western Forces

Here’s what could go wrong: a second American Civil War is not a clean fight between two sides, but a free-for-all between multiple parties. One example is this map from the movie Civil War (2024), which purposely kept the politics vague in order to focus on the shock of full-scale American-on-American political violence. Because of that vagueness, Texas and California — typically on opposite sides of the political spectrum — were lumped together in the Western Forces. Other warring parties: the Florida Alliance, covering most of the South, a New People’s Army in the north and northwest, and the Loyalist States in between.

A green-tinted map of the U.S. shows regions labeled New People’s Army, Western Forces, Loyalist States, and Florida Alliance. Text below reads: "Civil War in theaters April 12.
The movie Civil War lumps Texas and California into the same rebel alliance, obfuscating the politics of the conflict; but its overall point – weak federal government overrun by secessionists – is arguably left-coded. (Credit: Reddit/ShittyMovieDetails)

In the movie, a weakened central government is ultimately overwhelmed by the vaguely defined insurgent forces. On that basis, you could classify its outlook as “left-coded” — implicitly preferring the merits, however questionable, of unified authority over the havoc wreaked by rebels and secessionists, however well-intentioned.

An analysis of the forces at play in The Last of Us justifies classifying it as a “right-coded” narrative. FEDRA, the rump of the central government surviving in a handful of fortified Quarantine Zones, is an authoritarian military junta, imposing martial law, rationing, and execution of dissidents. The good guys are the Fireflies, a revolutionary militia fighting to restore democracy. Most of America, though, is hostile territory. Even if you avoid the fungal zombies, the slavers and the cannibals, you’re still in danger of encountering sadistic Hunters, semi-fascist “Wolves”, or the religious cult called the Seraphites.

Today is valuable enough to want to preserve

In the post-apocalyptic future, true Americans are few and far between. And — subtext warning — perhaps they always were.

A map of the United States features cities marked with icons and text describing fictional events, characters, and outbreaks from "The Last of Us" video game series.
In the post-apocalyptic universe in which The Last of Us is set, good and true “Americans” are few and far between. Perhaps the unspoken lesson here is that they always were – also in our current timeline. (Credit: Reddit/TheLastOfUs)

Whatever the political coding, if you look at enough maps of America after the Fall, they will start to look familiar, almost reassuringly so.

Yes, the U.S. is gone, and division, tyranny, and anarchy have taken its place. But each cracked map of the late, great U.S. retains an imprint of the good old days, an untapped reservoir of citizen-to-citizen benevolence, and a flickering spark of societal hope.

This is perhaps the genre’s most pertinent takeaway: America is rehearsing its disaggregation in the safest possible arena — that of science fiction, the comments section of history. In the safety of post-apocalyptic fiction, America is fabricating a future that is nostalgic for the present. The message is that, even with all of its problems and divisions, today is valuable enough to want to preserve. But should the worst happen, then even on the other side of a possible future apocalypse, there is still hope. Why else would anyone make a map of it?

A colorful comic map titled "Kamandi's Continent," showing various imaginatively-named regions and illustrated with a blond, muscular character holding a gun in the foreground.
To conclude, a whimsical look at post-apocalyptic North America by Jack Kirby of DC Comics. As mentioned by the poster: “This illustration is everything I love about comic books in one panel. DC failing to get the rights to the Planet of the Apes movies, Jack Kirby saying ‘Don’t worry, I can top that’, and then doing a whole map of goofy, colorful & evocative world-building.” (Credit: Zack Stentz/X)

Strange Maps #1282

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This article America’s post-apocalyptic maps reveal eerily familiar fault lines is featured on Big Think.